Sculpting a fox.

Commission work is daunting, rather like the start of a big day of travel. You are excited to get started, but you can’t until you pack. When you do get started you are always on the look out for a problem in need of a solution. When you reach the end you are so happy to have arrived, but also exhausted and ready for a nap.

It was after the Milford Art Affaire that I was asked to create a large sculpture of a fox looking over its shoulder. Large sculptures are a very exciting commission to receive, as sculpting big is always a challenge. I wanted to dive right in, but first I had to count a foxes toes. Ha! One of the biggest surprises in animal sculpture is how many animals have a surprising number of toes - and often an uneven number! I spent weeks researching foxes - the characteristics that makes a fox look like a fox, the way they move, and yes the number of toes they have (five on the front and four on the back).

The first few hours of a sculpt are intoxicating. The shape takes form so quickly as I use only my hands to add and remove clay, but changes just as quickly; sandcastles on a beach being built and erased, built and erased. The middle 4-60 hours are hike up to the summit - beautiful scenery, but hard work. The final few hours are all clean up and fine lines and you just have to declare yourself done.

I love this fox. I love the curve of his neck and the fluff of his tail. I love his chest all puffed out and his fierce stare. I am tired, but also, after a nap, ready for a new adventure.